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Mars Condensed

Specimen

SUMMER GAMES
Strength
Weights
Training
The motor proteins actin and myosin generate the forces exerted by contracting muscles. Cortisol decreases amino acid uptake by muscle and inhibits protein synthesis. Current recommendations suggest that bodybuilders should consume 25–30% of protein per total calorie intake to further their goal of maintaining and improving their body composition. This is a widely debated topic, with many arguing that 1 gram of protein per pound of body weight per day is ideal, some suggesting that less is sufficient, while others recommending 1.5, 2, or more.
Werksan ELEIKO BodySolid
Physical Endurance
Takes 1st Place with 98.5 Score!
Victory at National Bodybuilding Championship, Edging Out Rivals with Perfect Symmetry and Definition!
September 30th, 2012 - USA
Iron Man Show National Physique Arnold Classic
Off season 270 lb Contest 240 lb ♥ 109kg ♡ 120kg
Velocity Frequency Intensity →REPEAT←
The title is currently held by Phil Heath who has won every year from 2011 to 2017

Information

Design

Alaric Garnier

Release Date

2024-11-12

Team

Charly Derouault
Quentin Schmerber
Hugues Gentile
Marion Sendral
Michele Brianza

Version

3.001

About this font

Mars is a sturdy interpretation of select vernacular signs from North America. Its designer blended diverse flavors — conjuring the rocky beaches of Seattle, the streets of New Orleans, and eventually the harbor of Marseille, France.
Mars came to life in 2016 as a 2-widths minifamily, with one cut for each width. The dynamic duo consisted of a pumped-up extended style, and a slimmer condensed. A “Standard” width cut joined the pack in 2021. These three cuts were designed to work together, while maintaining their own singularity in a wide variety of design projects.
10 years ago in New Orleans, Garnier came across a metal typeface named Venus at John Fitzgerald’s letterpress studio. Fresh out of school, Garnier was visiting the workshop to print his first business cards. Fitzgerald only had four complete lead typefaces to compose the card, and Venus instantly captivated Garnier.
When Garnier returned to France, he began researching the genre in which his references evolved, and took inspiration to create his own interpretation. This creation features traits that are unique to Garnier’s design intentions: a large x-height, a robust “Regular” cut, and generally low contrast between thick and thin strokes. Most notably, it had sharp terminals; a distant echo of American Gothics, the sans-serif alphabets used by American sign painters. Garnier instilled most of his style in the Condensed series. While some of his references were very “industrial,” in the sense that the O’s are flat-sided, Garnier gave Mars a handcrafted appearance, with elliptical O’s, rather than rectangular ones.
Mars’ unique aesthetics stem from its singular drawing logic and its shape progression across four widths: Condensed, Standard, SemiCondensed, and Extended. The uppercases almost follow a distinct design rule where every stroke has to be beveled. This feature is especially striking in its capital letters E, F, G, L, T, and Z. In the lowercase design, the stroke connections stand out. In its narrower width, they appear ultra-smooth, while in wider widths, they adopt an angular character with a distinctive two-stroke ductus. Many glyphs in Mars share flared terminals as a design feature. These stroke endings are visible in c, e, f, g, s, y, C, G, J, S, 2, 3, 9. A discerning user also ought to notice the trapezoidal shape of the i and j dots.
Font release campaign visuals by Jessica Coifman.
Models: Almaz Papatakis, David Jeannot and Octave Lauret.

Formats

Static (OTF, TTF, WOFF, WOFF2)

Language support

Acheron, Achinese, Acholi, Afar, Afrikaans, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Caribbean Hindustani, Cashibo-Cacataibo, Catalan, Cebuano, Central Aymara, Central Kurdish, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern Arrernte, Eastern Oromo, Embu, English, Ese Ejja, Faroese, Fijian, Filipino, Finnish, French, Friulian, Galician, Ganda, Garifuna, Ga’anda, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba (DRC), Kongo, Konzo, Kuanyama, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Mandinka, Mandjak, Mankanya, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Ojitlán Chinantec, Orma, Oroqen, Palauan, Paluan, Pampanga, Papantla Totonac, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Quechua, Romansh, Rotokas, Rundi, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tedim Chin, Tetum, Tetun Dili, Tiv, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wik-Mungkan, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yapese, Yindjibarndi, Yucateco, Zapotec, Zulu, Záparo

About the designers

  • Alaric Garnier

    Designer

    Alaric Garnier superimposes the practices of a typeface designer, a letter painter, a graphic designer, and a publisher. His views on letter shapes have produced a small collection of explorative typefaces.

Glyphs

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OpenType Features

Production Type ships OpenType fonts with built-in features such as ligatures, alternates, or pictograms. Here are some of the most important features. To view a comprehensive list of features, please refer to the PDF specimen.

Case-Sensitive Forms

[CASE-SENSITIVE] !¡?¿-–—()[]{}‹›«»· ­

off

Standard Ligatures

fichier flicker affliger ­

off

Slashed Zero

0123456789 ­

off

Tabular Figures

H0123456789 ­

off

Lining Figures

H0123456789 ­

off

Oldstyle Figures

H0123456789 ­

off

Proportional Figures

H0123456789 ­

off

Superscript

H012345679 ­

off

Scientific Inferiors

H012345679 ­

off

Numerators

H012345679 ­

off

Denominators

H012345679 ­

off

Fractions

1/4 1/2 3/4 ­

off

Ordinals

2a 2o No. ­

off

Stylistic Set 1

ROWING JORDAN ­

off

Stylistic Set 2

012345678910 ­

off

Stylistic Set 3

012345678910 ­

off

Stylistic Set 4

<>+−×÷=± ­

off

Stylistic Set 5

abcdef ­

off

Pair well with Mars Condensed

  • Mars Condensed Regular

    Useful type with an edge.

    Dr Regular

    Creates versatile, expressive, and functional fonts

  • Mars Condensed Regular

    Useful type with an edge.

    Cardinal Classic Short Regular

    Creates versatile, expressive, and functional fonts

  • Mars Condensed Regular

    Useful type with an edge.

    Kessler Text Regular

    Creates versatile, expressive, and functional fonts

Recommended fonts

Discover the Mars family

  • Mars SemiCondensed

    14 styles: ExtraLight, ExtraLight Italic, Light, Light Italic, SemiLight, SemiLight Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic

  • Mars Standard

    14 styles: ExtraLight, ExtraLight Italic, Light, Light Italic, SemiLight, SemiLight Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic

  • Mars Extended

    14 styles: ExtraLight, ExtraLight Italic, Light, Light Italic, SemiLight, SemiLight Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic

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    Useful type with an edge.

    Useful type with an edge.

    Production Type provide retail as well as dedicated creative services in typeface design for brands.

    Based in Paris and Shanghai, Production Type is a digital type design agency. Its activities span from the exclusive online distribution of its retail type for design professionals, to the creation of custom typefaces for the industrial, luxury, and media sectors.
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