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Mars Standard

Styles

ExtraLightBuy from €70ExtraLight ItalicBuy from €70LightBuy from €70Light ItalicBuy from €70SemiLightBuy from €70SemiLight ItalicBuy from €70RegularBuy from €70ItalicBuy from €70MediumBuy from €70Medium ItalicBuy from €70BoldBuy from €70Bold ItalicBuy from €70BlackBuy from €70Black ItalicBuy from €70

Specimen

Strongman
The snatch is a lift wherein an athlete sweeps the barbell up and overhead in one fluid action: the lifter takes a wide‑grip on the bar and pulls the barbell off the floor before rapidly re‑bending their knees to get themself under the barbell (usually bringing themself into a deep overhead squat position), so that the barbell is supported over their head with arms outstretched. The snatch is then completed by the lifter rising to a standing position while holding the barbell overhead. The snatch demands precise balance.
Velocity Frequency Intensity
The clean and jerk is a combination lift, in which the athlete gets the barbell overhead in two stages: first by lifting the barbell into support on the front of the shoulders, a position known as the front rack (the clean), and then lifting it from shoulders to overhead (the jerk). To perform the clean, the lifter takes a shoulder-width grip on the bar and pulls it off the floor, and then rapidly re‑bends their knees to get their body under the barbell and "catch" the bar on the front of the shoulders.
↘Total Intense Snatch
Men Women ➇➎kg ➏➂kg ➈➃kg ➏➒kg ❶⓪➄kg ➐➎kg +➀⓪➄kg +➐➄kg
Muscle 4/Mass
The Starting Position, with feet hip-width apart and hands in a wide grip, often about 1.5 times shoulder width; the First Pull, in which the lifter extends through knees and hips, moving the barbell upward from the floor while maintaining a flat back; the Second Pull, as the bar reaches mid-thigh, when the lifter explosively extends through the hips and knees, propelling the bar upwards; the Catch, in which the lifter drops under the bar into a deep squat, catching it with arms fully extended above; and, finally, the Recovery, when the lifter stands up from the squat with the bar still overhead, signaling completion. Common errors in the Snatch include early arm bend, lack of hip extension, and incomplete lockout.
4×8−10 @ 75lb
USA ❸ Gold $37,500 $22,500 Silver Bronze $15,000 GEORGIA (GE) $100,000 +142KG
Lee Priest Amstrong Peter O’toole Tom Platz Ron. Coleman Jay Cutler Mr. Olympia
Mars Standard Chinese support is powered by FZYouHeiS (Founder Type).
BODYBUILDING
In a well-structured training session, each exercise is designed to target a specific muscle group while allowing for controlled progression. For example, a leg-strengthening workout might begin with heavy squats, performed in 4 sets of 8 reps to stimulate strength gains. Tempo is essential here: a 3-1-1-0 tempo — with a slow descent to maximize time under tension — adds an extra layer of intensity to each rep. After a minute of rest between sets, the workout moves to dumbbell lunges. Performed in 3 sets of 12 reps per leg, these lunges work on balance and stability, engaging the quadriceps, hamstrings, and glutes. The goal of these compound exercises is to establish a solid foundation of strength, promoting better posture and reducing the risk of injury. The second half of the session focuses on isolation exercises to refine muscle details. For example, leg extensions are completed in 4 sets of 15 reps with a steady tempo, emphasizing control and a full range of motion. This exercise isolates the quadriceps, enhancing muscle definition in the front of the thighs. Following this, hamstring curls are added to target the back of the legs, again in 4 sets of 12 reps. A final burnout set of calf raises is performed to engage the lower legs, with a high rep count to maximize endurance and muscle pump. This combination of compound and isolation movements helps balance strength with definition, creating a well-rounded, effective leg workout.
A well-rounded training session strategically combines both compound and isolation exercises to maximize strength and muscle definition. For a back-focused workout, the session might begin with deadlifts, performed for 4 sets of 6 reps at a controlled 2-1-1-0 tempo. This foundational lift not only strengthens the back but also engages the glutes, hamstrings, and core. Each set is followed by a rest period of 90 seconds to maintain high intensity. The workout then shifts to pull-ups, completing 3 sets of 10 reps. This bodyweight exercise targets the upper back and lats, helping to develop a broad, strong frame. These compound exercises lay the groundwork for a solid back, encouraging both strength and balanced muscle activation. The second phase of the workout focuses on isolating specific areas. Lat pulldowns in 4 sets of 12 reps follow, allowing for a full stretch and contraction in each rep to thoroughly engage the lat muscles. Next, single-arm dumbbell rows in 3 sets of 10 reps per side bring symmetry and balance by addressing any potential strength imbalances. Finally, face pulls with a rope attachment are added in 3 sets of 15 reps, targeting the rear deltoids and upper back for enhanced posture and definition. This combination of heavy, foundational lifts with targeted isolation exercises creates a balanced back workout that improves both strength and muscle detail across the entire posterior chain.
CHN 7 • IRI 5 PRK 5 • POL 3 • CAN 1 TPE 1 • ESP 1 INA 3 • KOR 3 • COL 2 EGY 2 • THA 1
WRESTLE Performance STADIUMS HOLDING UP Mr. Universe Effortless
Mars Standard Korean support is powered by Sandoll Gothic (Sandoll).

Information

Design

Alaric Garnier

Release Date

2024-11-12

Team

Charly Derouault
Quentin Schmerber
Hugues Gentile
Marion Sendral
Michele Brianza

Version

3.001
Download PDF Specimen

About this font

Flexed and stiff at first sight, Mars resembles a sturdy interpretation of select vernacular signs from North America. However, its designer blended much more diverse flavors — conjuring the rocky beaches of Seattle, the harbor of Marseille, and the dusty ground of the Red Planet.
Mars comes in a pack of three pills, no more. The dynamic trio consists of a pumped-up extended style and slimmer condensed, with a standard cut in the middle. The three cuts are designed to be worked together, yet they maintain their own singularity as a stand-alone typeface in a wide variety of design projects.
Mars Standard CJK support is powered by FZYouHeiS (Founder Type), Sandoll Gothic (Sandoll), Axis Fitfont (Type Project).

Formats

Static (OTF, TTF, WOFF, WOFF2)

Language support

Acheron, Achinese, Acholi, Afar, Afrikaans, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Caribbean Hindustani, Cashibo-Cacataibo, Catalan, Cebuano, Central Aymara, Central Kurdish, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern Arrernte, Eastern Oromo, Embu, English, Ese Ejja, Faroese, Fijian, Filipino, Finnish, French, Friulian, Galician, Ganda, Garifuna, Ga’anda, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba (DRC), Kongo, Konzo, Kuanyama, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Mandinka, Mandjak, Mankanya, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Ojitlán Chinantec, Orma, Oroqen, Palauan, Paluan, Pampanga, Papantla Totonac, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Quechua, Romansh, Rotokas, Rundi, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tedim Chin, Tetum, Tetun Dili, Tiv, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wik-Mungkan, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yapese, Yindjibarndi, Yucateco, Zapotec, Zulu, Záparo

About the designers

  • Alaric Garnier

    Designer

    Alaric Garnier superimposes the practices of a typeface designer, a letter painter, a graphic designer, and a publisher. His views on letter shapes have produced a small collection of explorative typefaces.
    View full profile

Glyphs

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OpenType Features

Production Type ships OpenType fonts with built-in features such as ligatures, alternates, or pictograms. Here are some of the most important features. To view a comprehensive list of features, please refer to the PDF specimen.

Case-Sensitive Forms

[CASE-SENSITIVE] !¡?¿-–—()[]{}‹›«»· ­

off

Standard Ligatures

fichier flicker affliger ­

off

Slashed Zero

0123456789 ­

off

Tabular Figures

H0123456789 ­

off

Lining Figures

H0123456789 ­

off

Oldstyle Figures

H0123456789 ­

off

Proportional Figures

H0123456789 ­

off

Superscript

H012345679 ­

off

Scientific Inferiors

H012345679 ­

off

Numerators

H012345679 ­

off

Denominators

H012345679 ­

off

Fractions

1/4 1/2 3/4 ­

off

Ordinals

2a 2o No. ­

off

Stylistic Set 1

ROWING JORDAN ­

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Stylistic Set 2

012345678910 ­

off

Stylistic Set 3

012345678910 ­

off

Stylistic Set 4

<>+−×÷=± ­

off

Stylistic Set 5

abcdef ­

off

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Discover the Mars family

  • Mars Condensed

    14 styles: ExtraLight, ExtraLight Italic, Light, Light Italic, SemiLight, SemiLight Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic

  • Mars SemiCondensed

    14 styles: ExtraLight, ExtraLight Italic, Light, Light Italic, SemiLight, SemiLight Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic

  • Mars Extended

    14 styles: ExtraLight, ExtraLight Italic, Light, Light Italic, SemiLight, SemiLight Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic

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    Useful type with an edge.

    Useful type with an edge.

    Production Type provide retail as well as dedicated creative services in typeface design for brands.

    Based in Paris and Shanghai, Production Type is a digital type design agency. Its activities span from the exclusive online distribution of its retail type for design professionals, to the creation of custom typefaces for the industrial, luxury, and media sectors.
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