Useful type with an edge
Production Type designs typefaces to connect brands with their audiences, synchronizing aesthetic storytelling and functional needs. In both its retail collections and bespoke global fonts, the foundry gathers forward-thinking designers to offer reliable and practical materials for those who require useful type with an edge.
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- Marie Claire Korea
Marie Claire Korea is the South Korean edition of the internationally renowned women’s magazine Marie Claire, launched in 1993. It combines a contemporary, elegant aesthetic with a confident, fashion-forward voice, covering style, beauty, photography and culture.
- Art Deco by Norbert Wolf (Prestel)
The German cover of Prestel’s coffee table book on Art Deco is a triple Cassandre: It combines an adaptation of his “Normandie” travel poster from 1935 with a title set in Bifur (1929), the first typeface designed by the great French artist. The author’s name is rendered in Cassannet, a contemporary font based on lettering seen on posters by A.M. Cassandre. The English version (see below) is a case of LTypI: The cover of this edition uses a face simply named Art Deco. It was issued by Mecanorma in 1975 and is credited to Mike W. Schmidt. Design: Liquid, Augsburg. Layout: Wolfram Söll, designwerk, Munich. Hardcover with slipcase, 288pp., 260×375 mm, cover design with metallic silver foil stamping and edge coloring.
- Ziggy Stardust And The Spiders From Mars - 50th Anniversary
This Vinyl represents Ziggy Stardust’s legendary final concert — now available for the first time in its entirety.
- Solab Films
Solab is a Paris-based film production company specializing in commercials, music videos, and fiction. It brings together top creative talents and acclaimed directors. Known for its artistic vision, Solab has earned awards like the César and Cannes Lions.
On Asphalt We Grow by Robin Tutenges is a black-and-white photo series capturing Ukrainian youth skateboarding amid the war, symbolizing resilience and freedom.
Tempel Softland UltraCondensed
On Asphalt We Grow, Robin Tutenges- Orchestre de Chambre de Paris
Classical music is a world of tradition, rigid decorum and perceived elitism. But at its heart, classical music is music. And music belongs to everyone. To retune, they created a design system for the Orchestre De Chambre de Paris that plays out their belief: that classical music is a universal language for the novice, the seasoned, the curious, the passionate.
Catalogue
Production Type maintains a globally accessible catalogue through a network of designers, engineers, and developers with a shared creative vision. Featuring typefaces from Yoann Minet, Emmanuel Besse, Céline Jouandet, Chi-Long Trieu, Hélène Marian and many more, the foundry sustains a dynamic creative environment where typography is both functional and distinctive.
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