Arthur Schwarz
Arthur Schwarz is a Swiss type designer and the communications specialist at Production Type.
Schwarz developed an interest in type design early in his design practice. He began his studies at the Geneva University of Art and Design (HEAD) in 2015 and graduated with a Bachelor’s degree with honors in 2018. His diploma project, created in collaboration with Maël Bächtold, was a variable font named Bolid, inspired by car racing and speed. Schwarz pursued further studies at École cantonale d'art de Lausanne (ÉCAL), where he graduated in 2020 with a Master’s degree in Type Design. His master's project was a compendium of three fonts—two scripts and one sans-serif—named Acapulko, Amnezia, and Cazino.
While interning at the creative agency &Walsh in New York, he worked on type design and font art direction. After completing his master’s degree, he interned at Extraset Type Foundry, where he developed the ES Build typeface, drawing inspiration from Herbert Bayer’s research on a universal typeface. Between 2020 and 2022, Schwarz in collaboration with Xavier Erni from Neo Neo designed ES Dokument, a type superfamily consisting of 60 styles. This typeface is characterized by its inspiration from the curves of various early 20th-century German industrial grotesques.
In late 2021, Schwarz joined Production Type as a type designer and font developer. Since then, he has been involved in developing fonts for Production Type's catalogue, including Cardinal, Gamuth, Kessler, Paramount, and PVC. In 2022, he delivered a lecture titled “Business of Type: Type of Business” at IDWT 2022 in Paris, where he discussed the creative freedom that typography can offer to branding projects. The following year, in 2023, he presented “The Font Business is Broken: Can We Fix It?” at ATypI 2023, addressing issues surrounding font licensing, misconceptions, and unenforceable clauses found in the end-user license agreements (EULAs) of multiple type foundries. For his second lecture at the yearly IDWT, Schwarz delivered a presentation entitled “Everything Old Is New Again.” about legacy design standards and their translation into the typographical environment.
Since 2024, Schwarz has been the communications specialist at Production Type, where he oversees campaign initiatives and manages the company’s external communications.
While interning at the creative agency &Walsh in New York, he worked on type design and font art direction. After completing his master’s degree, he interned at Extraset Type Foundry, where he developed the ES Build typeface, drawing inspiration from Herbert Bayer’s research on a universal typeface. Between 2020 and 2022, Schwarz in collaboration with Xavier Erni from Neo Neo designed ES Dokument, a type superfamily consisting of 60 styles. This typeface is characterized by its inspiration from the curves of various early 20th-century German industrial grotesques.
In late 2021, Schwarz joined Production Type as a type designer and font developer. Since then, he has been involved in developing fonts for Production Type's catalogue, including Cardinal, Gamuth, Kessler, Paramount, and PVC. In 2022, he delivered a lecture titled “Business of Type: Type of Business” at IDWT 2022 in Paris, where he discussed the creative freedom that typography can offer to branding projects. The following year, in 2023, he presented “The Font Business is Broken: Can We Fix It?” at ATypI 2023, addressing issues surrounding font licensing, misconceptions, and unenforceable clauses found in the end-user license agreements (EULAs) of multiple type foundries. For his second lecture at the yearly IDWT, Schwarz delivered a presentation entitled “Everything Old Is New Again.” about legacy design standards and their translation into the typographical environment.
Since 2024, Schwarz has been the communications specialist at Production Type, where he oversees campaign initiatives and manages the company’s external communications.
