![](/cdn?url=de13515f3f44553676a4cfb3d136c1cfee11c1bf-3822x1924.jpg%3Frect%3D1396%2C0%2C1031%2C1924%26w%3D3000%26h%3D5600%26q%3D100%26fit%3Dcrop&w=2400&q=75)
Gamuth
Styles
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text ExtraLight
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text ExtraLight Italic
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text Light
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text Light Italic
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text Regular
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text Italic
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text Medium
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text Medium Italic
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text Bold
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text Bold Italic
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text Black
Fast driving by Jack, with the zippy Mazda, quickly excels on the rugged course.
Buy from €70Gamuth Text Black Italic
Information
Design
Max Esnée
Release Date
2023-03-29Team
Jean-Baptiste Levée
Marion Sendral
Arthur Schwarz
Léa Bruneau
Igino Marini
Version
1.001Awards & distinctions
Hiii Typography Bronze Award 优异奖 2023
About this font
An in-progress polyptych
Gamuth is conceived as a multi-faceted work, of which the first panels are two optical sizes (Display, Text) of the same serif typeface. Gamuth borrows from Dutch Baroque faces and their typical breadth: narrower than usual proportions, generous x-heights, and crisp detailing are key features of the typefaces, and contribute to giving a dense, deep texture to running text.
Gamuth was initially designed to perform well for on-screen, long-form consultation. Its hybrid origins made it a work of pure syncretism: the Display cuts have a life of their own, and while they work hand in hand with the Text cuts, the rhythm of lowercase proportions dances a different ballet. Meanwhile, they sport an even crisper and sharper texture. Departing from the historical roots of the romans, the italics are normalized towards a more predictable behavior on modern displays and therefore have a constant angle. Gamuth is designed to perform graciously in demanding environments such as content-heavy websites while proving distinctive enough for branding applications where a touch of depth and substance are sought.
Gamuth’s next panel is already set to unfold as Gamuth Sans.
Gamuth was initially designed to perform well for on-screen, long-form consultation. Its hybrid origins made it a work of pure syncretism: the Display cuts have a life of their own, and while they work hand in hand with the Text cuts, the rhythm of lowercase proportions dances a different ballet. Meanwhile, they sport an even crisper and sharper texture. Departing from the historical roots of the romans, the italics are normalized towards a more predictable behavior on modern displays and therefore have a constant angle. Gamuth is designed to perform graciously in demanding environments such as content-heavy websites while proving distinctive enough for branding applications where a touch of depth and substance are sought.
Gamuth’s next panel is already set to unfold as Gamuth Sans.
Formats
Static (OTF, TTF, WOFF, WOFF2)About the designers
Max Esnée
Designer
Max Esnée is a type designer and web developer who is passionate about the blend of creativity and technical skills.