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Paramount Neo

Specimen

The First Orbital & Hypersonic Flight
Why Go to Space?
[Function] SOL➂R 19
Sending humans to Mars has been the subject of aerospace engineering & scientific studies since the late 1940s as part of the broader exploration.
Currently, only robotic landers and rovers have been on Mars. The farthest humans have been beyond Earth is the Moon, under the NASA’s Apollo program.
The plans for these crews have varied — in which a small group would visit Mars for a period of a few weeks or more, to a continuous presence.
ventil➑ted
Chandrasekhar Functional Rocket Equation Aerospace First-Generation Exploratory Electromagnetic
7G Z®
Sun 29.8 31.7 0.39 7.5 Mercury Venus 0.72 2.5 11.2 1.52 2.9 Mars 1.3 Burn (m/s) ⬀2825.02 ⇧3194.89 ⇧1308.70 ⇨3194.89

Information

Design

Chi-Long Trieu

Release Date

2023-06-07

Team

Marion Sendral
Arthur Schwarz
Hugues Gentile
Léa Bruneau
Guillaume Besson
Igino Marini

Version

1.001

About this font

Paramount fixates the shapes of everlasting human futures. In a world where innovation and expression intersect, a new typeface has emerged: rooted in a sci-fi feel from the Kubrick’s Hollywood Space era, this new font family tells so much more of mankind than what’s written in the stars. Paramount transcends the confines of conventional typographic family structures, offering a glimpse into the boundless possibilities to come. This new release by swiss type designer and ECAL educator Chi-Long Trieu aims to tell now what it is to come next: a seamless blend of the present and the yet-to-be but always with humanity at heart. This is the Paramount loophole, well-suited for a spaceship lost in the galaxy as mush as for a people-caring app. It is a link and a soul, a spirit of exploration and connection that serves as a beacon light in the conceptual vastness of the future.
Paramount and Paramount Neo are great for lengthy, spirited text. This geometric sans-serif font family comprises of two sets (each six roman styles with matching italics), enabling designers to shape messages with utmost clarity and impact.
Paramount can show and announce it all. Used in stylish display applications, Paramount conveys audacity, uniqueness, and approachable difference. Paramount is replete with glyph alternates for both upper- and lowercases, enabling the exploration of how a typeface can be pushed into neo-futuristic aesthetics. From a distance, one could even discern hints of long-forgotten remains of hand lettering techniques.
C, J and S are sharp on the terminals while E, F, G and R have slightly uneven shapes and contrasted countershapes, playing with the eye for a journey into the text like no other: a journey of permanence and resilience, of trust in the our future as a species.
Paramount is a statement for the relentless pursuit of innovation and creative expression. Its arrival heralds a new era, where typography shapes the trajectory of human communication. With Paramount, the future of design is at hand. Paramount embraces the possibilities and explores the unknown.

Formats

Static (OTF, TTF, WOFF, WOFF2)

Language support

Acheron, Achinese, Acholi, Achuar-Shiwiar, Afar, Afrikaans, Aguaruna, Ahtna, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Ao Naga, Apinayé, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bini, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Caribbean Hindustani, Cashibo-Cacataibo, Cashinahua, Catalan, Cebuano, Central Aymara, Central Kurdish, Chachi, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dimli, Dutch, Eastern Arrernte, Eastern Oromo, Efik, Embu, English, Ese Ejja, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gagauz, Galician, Ganda, Garifuna, Ga’anda, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kaingang, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Kaqchikel, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kirmanjki, Kituba (DRC), Kongo, Konzo, Kuanyama, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Lozi, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Mandinka, Mandjak, Mankanya, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Muslim Tat, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Azerbaijani, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Ojitlán Chinantec, Orma, Oroqen, Otuho, Palauan, Paluan, Pampanga, Papantla Totonac, Papiamento, Paraguayan Guaraní, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pipil, Pite Sami, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Páez, Quechua, Romanian, Romansh, Rotokas, Rundi, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Shuar, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Azerbaijani, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tagalog, Tahitian, Taita, Talysh, Tedim Chin, Tetum, Tetun Dili, Tiv, Toba, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tsakhur, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Umbundu, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Vietnamese, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waorani, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wik-Mungkan, Wiradjuri, Wolof, Xavánte, Xhosa, Yanesha', Yao, Yapese, Yindjibarndi, Yucateco, Zapotec, Zulu, Zuni, Záparo

About the designers

  • Chi-Long Trieu

    Designer

    Chi-Long Trieu is a Swiss type designer, graphic designer, and educator based in Lausanne, Switzerland. He holds a bachelor’s degree in visual communication from ECAL/University of Art and Design Lausanne (ECAL), where he also teaches.

Glyphs

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OpenType Features

Production Type ships OpenType fonts with built-in features such as ligatures, alternates, or pictograms. Here are some of the most important features. To view a comprehensive list of features, please refer to the PDF specimen.

Capital Spacing

UPPERCASE ­

off

Case-Sensitive Forms

[CASE-SENSITIVE] !¡?¿-–—()[]{}‹›«»·@ +−±×÷=≠≈<>≤≥¬ ←→↑↓↖↗↙↘ ­

off

Standard Ligatures

fichier flicker affliger ­

off

Historical Forms

History ­

off

Slashed Zero

0123456789 ­

off

Tabular Figures

H0123456789 ­

off

Proportional Figures

H0123456789 ­

off

Superscript

Hsuperscript H0123456789 H,.()+−= ­

off

Scientific Inferiors

Hsubscript H0123456789 H,.()+−= ­

off

Numerators

Hnumerator H0123456789 H,.()+−= ­

off

Denominators

Hdenominator H0123456789 H,.()+−= ­

off

Fractions

1/2 2/3 1/4 1/5 2/5 3/5 4/5 1/6 1/7 1/8 1/9 0/0 0/00 ­

off

Ordinals

2a 2o NO No Nº N° nO no nº n° ­

off

Stylistic Set 1

012345678910 ­

off

Stylistic Set 2

012345678910 ­

off

Stylistic Set 3

<>+−×÷=± ­

off

Stylistic Set 4

abcdef ­

off

Stylistic Set 5

©®℗ ­

off

Stylistic Set 6

CHECKING occupancy ­

off

Stylistic Set 7

MARKDOWN windowbox ­

off

Stylistic Set 8

PREBUILD ­

off

Stylistic Set 9

Classified ­

off

Pair well with Paramount Neo

  • Paramount Neo Regular

    For their “Ones to Watch” series

    Kessler Text Regular

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  • Paramount Neo Thin

    For their “Ones to Watch” series

    Tesseract ExtraLight

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  • Paramount Neo Black

    For their “Ones to Watch” series

    PVC Dynasty Italic

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Discover the Paramount family

  • Paramount

    12 styles: Thin, Thin Italic, Light, Light Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic

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    Useful type with an edge.

    Useful type with an edge.

    Production Type provide retail as well as dedicated creative services in typeface design for brands.

    Based in Paris and Shanghai, Production Type is a digital type design agency. Its activities span from the exclusive online distribution of its retail type for design professionals, to the creation of custom typefaces for the industrial, luxury, and media sectors.
    Enquire about custom fonts