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Tuner

Specimen

Visual Illusions
Extraterrestrial Periscope Fiber-Reinforced Deep Stall Vectoring Prisms
Stealth technology also termed LO technology (low observable technology) is a sub-discipline of military tactics and passive electronic counterme asures, which cover a range of techniques used with personnel, aircraf, ships, submarines, missiles and satellites to make them less visible (ideally invisible) to radar, infrared, sonar and other detection methods.
Plate Faceting Dielectric Flight Envelope Reflection Measurement Structural Administration
Stealth technology also termed LO technology (low observable technology) is a sub-discipline of military tactics and passive electronic counterme asures, which cover a range of techniques used with personnel, aircraf, ships, submarines, missiles and satellites to make them less visible (ideally invisible) to radar, infrared, sonar and other detection methods. It corresponds to military camouflage for these parts of the electromagnetic spectrum (Multi-spectral camouflage). Development of modern stealth technologies in the United States began in 1958, where earlier attempts in preventing radar tracking of its U-2 spy planes during the Cold War by the Soviet Union had been unsuccessful.
➁STEPS➌ Spatial ↳420th FLIGHT

Information

Design

Simon Renaud

Team

Yoann Minet
Quentin Schmerber

Version

1.002

About this font

Blips on a radar screen signal movement — flashing and beeping, they get your attention. Squares and circles cross paths, while retinas focus and search for new information. Out of coarse computer screens and old software, designer Simon Renaud freed an idea from pixelated restrictions and created Tuner. With lo-fi roots and a high-minded appreciation for typography, it’s perfectly at home in the age of data-driven journalism and referential design.

Tuner embraces the glitches and quirks of archaic monitors, as well as crude transit displays still in use, and it maintains some effects of a monospace without being one. The benefits of this are many. For titling uses, the fonts don’t need to be rectified; at small sizes, readability is maintained. All while packing an element of surprise—the triangular ‘A’, select square-sided letters, and fast obliques, keep the eyes alert and engaged. Ultimately, Tuner’s sturdy tone transmits confidence, while its cavaliar aspects lead you off-the-grid.

Formats

Static (OTF, TTF, WOFF, WOFF2)

Language support

Acheron, Achinese, Acholi, Afar, Afrikaans, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Cashibo-Cacataibo, Catalan, Cebuano, Central Aymara, Central Kurdish, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern Arrernte, Eastern Oromo, Embu, English, Ese Ejja, Faroese, Fijian, Filipino, Finnish, French, Friulian, Galician, Ganda, Ga’anda, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba (DRC), Kongo, Konzo, Kuanyama, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Mandinka, Manx, Maore Comorian, Maori, Mapudungun, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Orma, Oroqen, Palauan, Paluan, Pampanga, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pohnpeian, Polish, Portuguese, Potawatomi, Quechua, Romanian, Romansh, Rotokas, Rundi, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tedim Chin, Tetum, Tetun Dili, Tiv, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tosk Albanian, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wik-Mungkan, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yapese, Yindjibarndi, Yucateco, Zulu, Záparo

About the designers

  • Simon Renaud

    Designer

    Simon Renaud is a type designer and graphic designer based in Paris. He is known for his diverse range of work across various media of design expression, including publishing, typography, and digital media.

Glyphs

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OpenType Features

Production Type ships OpenType fonts with built-in features such as ligatures, alternates, or pictograms. Here are some of the most important features. To view a comprehensive list of features, please refer to the PDF specimen.

Case-Sensitive Forms

[CASE-SENSITIVE] !¡?¿-–—()[]{}‹›«»· ­

off

Standard Ligatures

fichier flicker affliger ­

off

Discretionary Ligatures

Thesaurus ­

off

Slashed Zero

0123456789 ­

off

Lining Figures

H0123456789 ­

off

Oldstyle Figures

H0123456789 ­

off

Proportional Figures

H0123456789 ­

off

Tabular Figures

H0123456789 ­

off

Superscript

H012345679 ­

off

Scientific Inferiors

H012345679 ­

off

Numerators

H012345679 ­

off

Denominators

H012345679 ­

off

Fractions

1/4 1/2 3/4 ­

off

Ordinals

2a 2o NO No Nº N° nO no nº n° ­

off

Ornaments

+ − ± × ÷ = < > ­

off

Stylistic Set 1

Bill Duke ­

off

Stylistic Set 2

Origin Of Species ­

off

Stylistic Set 3

Predator ­

off

Stylistic Set 4

012345678910 ­

off

Stylistic Set 5

012345678910 ­

off

Stylistic Set 6

<>+−×÷=± ­

off

Stylistic Set 7

abcdefghij ­

off

Pair well with Tuner

  • Tuner Regular

    For their “Ones to Watch” series

    Minotaur Beef Bold

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  • Tuner Bold

    For their “Ones to Watch” series

    Antique Gothic Light

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  • Tuner Black

    For their “Ones to Watch” series

    Cardinal Fruit Bold Italic

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Useful type with an edge.

Useful type with an edge.

Production Type provide retail as well as dedicated creative services in typeface design for brands.

Based in Paris and Shanghai, Production Type is a digital type design agency. Its activities span from the exclusive online distribution of its retail type for design professionals, to the creation of custom typefaces for the industrial, luxury, and media sectors.
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