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Kessler Display

Specimen

Education In Scotland
Common Brittonic STEPHEN HENRY 1965 Suspension POSTANALYTIC Jackie Stewart 12 ROASTED JOINT
&
Canterbury Mediterranean Prudentius Cathedral Summertime
Stone Roses
Common Brittonic STEPHEN HENRY 1965 Suspension POSTANALYTIC Jackie Stewart 12 ROASTED JOINT
Kessler Display Japanese support is powered by TP Mincho Fitfont (Type Project).

Kessler Display In Use

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Information

Design

Alaric Garnier

Team

Quentin Schmerber
Hugues Gentile
Arthur Schwarz
Léa Bruneau

Version

1.003

Awards & distinctions

Type Directors Club New York 2020 Certificate of excellence

About this font

Kessler Text is the natural companion to Kessler Display, reflecting the same structure, but with the technical nuance required of smaller scale, long-form texts.
Where its Display shines in the details of its hairlines and diamond shapes, Kessler Text distills this personality, ensuring the same twinkle without losing weight or causing reading discomfort. Kessler Text Regular is comfortable at 8pt with 12pt leading, while the Light weight will want slightly more scale to hold together. There is a ton of character in the small, sharp details maintained in the Text sizes, and distinctive curves found in glyphs like the lowercase a are maintained across all of Kessler’s styles. The italics carry the rhythms of Kessler quite literally forward, particularly with its standout, looping lowercase g. Other notable characters — such as the spurred lowercase r and the aristocratic capital A — sustain rich texture and even typographic color.
Traditionally, one could swap out the Text weight for the Display once the scale exceeds, say, 16pt. For more emphatic titling, or if you’re just too lazy for the nuance, Kessler Text Light can still serve just fine at larger sizes, and will create a more impactful horizontal rhythm due to the more significant top serifs. You’ll still get to enjoy Kessler’s diamond-shape titles and humble curves of its bowled letters.
Kessler Mono takes all of this systemic thinking and applies it to a monospace structure. Sure, one could say it’s a bit overdressed for coding, but who hasn’t met an engineer with a diva complex? The spacing is blissfully wide and doesn’t sacrifice detail by forcing characters to fill the width. Use the beautiful lining numerals, delicate brackets and backslashes to create an elegant texture.
Setting the point sizes with consideration to ample leading will help the white space maintain evenness — 9pt text with at least 13 pts of leading will achieve this, but be careful not to overdo it and lose the thread of the paragraph. Setting a handful of words in the mono will create a wholly unique essay title; a couple of lines of AI prompts might just encourage surprising results.
Kessler Japanese support is powered by TP Mincho Fitfont (Type Project).

Formats

Static (OTF, TTF, WOFF, WOFF2)

Language support

Acheron, Achinese, Acholi, Afar, Afrikaans, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Cashibo-Cacataibo, Catalan, Cebuano, Central Aymara, Central Kurdish, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern Arrernte, Eastern Oromo, Embu, English, Ese Ejja, Faroese, Fijian, Filipino, Finnish, French, Friulian, Ga’anda, Galician, Ganda, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba (DRC), Kölsch, Kongo, Konzo, Kuanyama, Kven Finnish, Ladin, Ladino, Latgalian, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Mandinka, Manx, Maore Comorian, Maori, Mapudungun, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mískito, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Orma, Oroqen, Palauan, Paluan, Pampanga, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pohnpeian, Polish, Portuguese, Potawatomi, Quechua, Romanian, Romansh, Rotokas, Rundi, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tedim Chin, Tetum, Tetun Dili, Tiv, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tosk Albanian, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wik-Mungkan, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yapese, Yindjibarndi, Yucateco, Záparo, Zulu

About the designers

  • Alaric Garnier

    Designer

    Alaric Garnier superimposes the practices of a typeface designer, a letter painter, a graphic designer, and a publisher. His views on letter shapes have produced a small collection of explorative typefaces.

Glyphs

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OpenType Features

Production Type ships OpenType fonts with built-in features such as ligatures, alternates, or pictograms. Here are some of the most important features. To view a comprehensive list of features, please refer to the PDF specimen.

Case-Sensitive Forms

[CASE-SENSITIVE] !¡?¿-–—()[]{}‹›«»· ­

off

Small Capitals

Small Capitals ­

off

Small Capitals From Capitals

SMALL CAPITALS ­

off

Standard Ligatures

fichier flicker affliger ­

off

Discretionary Ligatures

Thesaurus ­

off

Historical Forms

History ­

off

Slashed Zero

0123456789 ­

off

Tabular Figures

H0123456789 ­

off

Lining Figures

H0123456789 ­

off

Oldstyle Figures

H0123456789 ­

off

Proportional Figures

H0123456789 ­

off

Superscript

H012345679 ­

off

Scientific Inferiors

H012345679 ­

off

Numerators

H012345679 ­

off

Denominators

H012345679 ­

off

Fractions

1/4 1/2 3/4 ­

off

Ordinals

2a 2o No. ­

off

Stylistic Set 1

Native America ­

off

Stylistic Set 2

Rolls-Royce ­

off

Stylistic Set 3

012345678910 ­

off

Stylistic Set 4

012345678910 ­

off

Stylistic Set 5

<>+−×÷=± ­

off

Pair well with Kessler Display

  • Kessler Display Regular

    John Douglas, 9Th Marquess Of Queensberry

    Enduro Light

    Football League First Division

  • Kessler Display Italic

    John Douglas, 9Th Marquess Of Queensberry

    Media Sans Regular

    Football League First Division

  • Kessler Display Regular

    John Douglas, 9Th Marquess Of Queensberry

    Cogito Regular

    Football League First Division

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Discover the Kessler family

  • Kessler Super Display

    2 styles: Regular, Italic

  • Kessler Text

    10 styles: Thin, Thin Italic, Light, Light Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic

  • Kessler Text Mono

    2 styles: Regular, Italic

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