Enduro
Styles
Specimen




Enduro In Use

For the book The Surplus of the Non-Producer, Léna Araguas, Alaric Garnier & Charlotte Carletto used Insitu for titles, Exécutif Moderne for text and Enduro for captions. The book is published by Rotolux Press, their own imprint. Since 2017, The Surplus of the Non-Producer has travelled through several venues, from art centers to high schools, disseminating along the way a practice of commoning that challenges the codes and habits of institutional praxis. Working with and through the plurality of the assembly, Ève Gabriel Chabanon invites us to question the conditions and politics of cultural labor. The Surplus of the Non-Producer then continued testing its modes of gathering, dwelling, making debt and making space on the edge and through the margins in Le Surplus at Bétonsalon, Paris (2020); Chapter 3 at Westfälischer Kunstverein, Münster (2020); and Chapter 4: Sold at Beursschouwburg, Brussels (2021). Well, then a solution is: practice more failure. From workshops and exhibitions to contractual negotiations and collective translations, Ève Chabanon modelled The Surplus as a loose yet abiding get-together that this publication attempts to crystallize. With contributions by Mathilde Belouali-Dejean, Sophie Cras, Sofia Dati, Abou Dubaev, Cédric Fauq, Katherine Gibson, Abdulmajeed Haydar, Aram Ikram Taştekin, Philipp Kleinmichel, Ingrid Luquet-Gad, Madeleine Planeix-Crocker, Rosanna Puyol Boralevi, Kristina Scepanski, Johanna-Yasirra Kluhs.
Enduro Black
The Surplus of the Non-Producer
Each year, the Design Parade, organized by the Villa Noailles, celebrates contemporary creation through two major events: Design Parade Hyères, dedicated to design, and Design Parade Toulon, focused on interior architecture.
Image Future Black + Enduro Bold
Marc Armand- Design Parade 2025- Villa Noailles
Information
Design
Team
Version
1.003About this font
Enduro is notably straightforward, and nothing if not energetic. In just three widths, Enduro moves from compressed and methodical to open and colloquial. As those widths move from rectangles to ovals, new personalities are revealed as possibilities. Because Enduro manages to be engaging at nearly all sizes, it’s perfect for new branding systems. Its shapes are distinct enough to be logo-worthy; coupling the aforementioned widths with seven weights of each gives any new project a jolt. With 44 styles, Enduro will withstand many tough conditions. It is ready for action straight out of the box, putting any design in the zone and atop the podium.
Formats
Static (OTF, TTF, WOFF, WOFF2)Language support
Abaza, Acheron, Achinese, Acholi, Adyghe, Afar, Afrikaans, Aghul, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Andi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Avaric, Balinese, Bari, Bashkir, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Belarusian, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Budukh, Buginese, Candoshi-Shapra, Caquinte, Cashibo-Cacataibo, Catalan, Cebuano, Central Aymara, Central Kurdish, Chamalal, Chamorro, Chavacano, Chechen, Chiga, Chiltepec Chinantec, Chinese Buriat, Chokwe, Chuukese, Chuvash, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Crimean Tatar, Croatian, Czech, Danish, Dargwa, Dehu, Dungan, Dutch, Eastern Arrernte, Eastern Oromo, Embu, English, Erzya, Ese Ejja, Faroese, Fijian, Filipino, Finnish, French, Friulian, Galician, Ganda, Ga’anda, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Halh Mongolian, Hani, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Ingush, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, Judeo-Tat, K'iche', Kabardian, Kabuverdianu, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kalmyk, Kamba (Kenya), Kaonde, Karachay-Balkar, Karelian, Kashubian, Kazakh, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kirghiz, Kituba (DRC), Komi-Permyak, Komi-Zyrian, Kongo, Konzo, Kuanyama, Kumyk, Kven Finnish, Kölsch, Ladin, Ladino, Lak, Latgalian, Lezghian, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Macedonian, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Mandinka, Manx, Maore Comorian, Maori, Mapudungun, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Moksha, Mongolian Buriat, Montenegrin, Munsee, Murrinh-Patha, Muslim Tat, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nogai, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Orma, Oroqen, Palauan, Paluan, Pampanga, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pohnpeian, Polish, Portuguese, Potawatomi, Quechua, Romanian, Romansh, Rotokas, Rundi, Russian, Russian Buriat, Rusyn, Rutul, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tabassaran, Tagalog, Tahitian, Taita, Tajik, Tatar, Tedim Chin, Tetum, Tetun Dili, Tiv, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tosk Albanian, Tsakhur, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvinian, Tzeltal, Tzotzil, Uab Meto, Udi, Ukrainian, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wik-Mungkan, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yapese, Yindjibarndi, Yucateco, Zulu, Záparo
About the designers

Emmanuel Besse
Designer
Emmanuel Besse is an art director and a type designer with a focus to open-ended and inclusive approach to communication.
Glyphs
OpenType Features
Case-Sensitive Forms
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offStandard Ligatures
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offSlashed Zero
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offProportional Figures
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offSuperscript
H012345679
offScientific Inferiors
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offNumerators
H012345679
offDenominators
H012345679
offFractions
1/4 1/2 3/4
offOrdinals
2a 2o No.
offOrnaments
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offStylistic Set 1
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offStylistic Set 2
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offStylistic Set 3
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offStylistic Set 4
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offStylistic Set 5
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offStylistic Set 6
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