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Image Future

Specimen

Euphoria
25'14" Haze Diffusion GhostPrint
Subpixels /Image/ Playback
Timecode 78 Drifts Last Frame
Post-Data
No Signal. ↺🔄↻ No Blame.
93
Whisper Forgotten Discarded Serenity
&?!
Parallax
Log #1099: Ghost detected, source unknown Read-only folder: /mirage/cloud /dust/0006/
Tech Time
:echo: 31258
Playback Not Supported!
Quiet Error in [Progress]
FLICKER
HEART FROM EARTH
GHOST
LOG 0822 “I Tried to Remember You in 16:9”
theories
retinal

Information

Design

Guillaume Goron

Release Date

2025-05-28

Team

Charly Derouault
Hugues Gentile

Version

1.001

Awards & distinctions

Club des Directeurs Artistiques 2024
Hiiibrand Awards 2024 Finalist

About this font

Image Future organizes space and elaborates on the proportions and dynamics of the geometric sans. Its design language loops continuously between mathematically perfect forms and the nuanced optical corrections anticipated by the human eye.
Circularity is Image Future’s visual grammar, deployed with consistency: reliant on repetition, modulation, and spatial discipline. Despite its geometric construction, Image Future is not cold; it speaks with composure and calm. Throughout its range, the tone is stable and systematic, projecting a voice that is both clear and measured. Image Future’s unusually tight spacing is beyond a stylistic decision; it’s a structural device that reveals unexpected typographic rhythms. This spatial economy encourages the creation of glyph clusters that read as cohesive graphic units. Certain letter combinations resolve into shapes that resemble bespoke logotypes. These relationships (formed through vertical alignment, shared diagonals, or complementary counters) enable designers to generate branding assets with minimal intervention. This compressed default spacing is deliberately provocative, hinting at logo design, but also fully functional in editorial or typographic systems when tracking is adjusted. For wordmarks, naming systems, and titling with typographic integrity, Image Future becomes an active participant in identity construction.
Image Future’s true potential may lie not in what it says but in how it organizes space. It invites a design dynamics based on compression, modularity, and repetition. These principles underpin visual identities, but also extend to more abstract domains: digital signage, urban orientation systems, experimental publishing, or kinetic typography. Image Future functions not just as a typographic voice, but as an infrastructure for organizing visual language. Set in large sizes, Image Future reveals its latent character: the geometry becomes sculptural, and the spacing acquires rhythm. Hairline is particularly effective in architectural environments (think screens, lightboxes, pavilions) where its precision engages with material and scale. Whether used in logotype, titling, short-form editorial, or signage, Image Future maintains a controlled atmosphere, holding tension between form and restraint. In Hairline, the typeface feels articulate, suggestive of technical elegance or high-precision design. In Black, it becomes meditative and monumental, reminiscent of carved signage or wordmarks hewn from material. These heavier weights invert the spatial dynamic, rendering text blocks into dense typographic solids.
Image Future transforms space into an active material. The tension between letterforms, the stacking of circular motifs, and the precise alignments all suggest a design practice that privileges adjacency, interaction, and compactness. It is a typeface for designers who operate in the liminal space between typography and branding, between layout and mark-making. Image Future insists on being more than a vessel for language: it becomes the dynamic, compact form that language wears.

Language support

Acheron, Achinese, Acholi, Afar, Afrikaans, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Caribbean Hindustani, Cashibo-Cacataibo, Catalan, Cebuano, Central Aymara, Central Kurdish, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern Arrernte, Eastern Oromo, Embu, English, Ese Ejja, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gagauz, Galician, Ganda, Garifuna, Ga’anda, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba (DRC), Kongo, Konzo, Kuanyama, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Mandinka, Mandjak, Mankanya, Manx, Maore Comorian, Maori, Mapudungun, Marshallese, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Ojitlán Chinantec, Orma, Oroqen, Palauan, Paluan, Pampanga, Papantla Totonac, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pipil, Pohnpeian, Polish, Portuguese, Potawatomi, Purepecha, Quechua, Romanian, Romansh, Rotokas, Rundi, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tedim Chin, Tetum, Tetun Dili, Tiv, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tonga (Zambia), Tosk Albanian, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wik-Mungkan, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yapese, Yindjibarndi, Yucateco, Zapotec, Zulu, Záparo

About the designers

  • Guillaume Goron

    Designer

    Guillaume Goron is a typographer, art director, photographer, and illustrator based in France.

Glyphs

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OpenType Features

Production Type ships OpenType fonts with built-in features such as ligatures, alternates, or pictograms. Here are some of the most important features. To view a comprehensive list of features, please refer to the PDF specimen.

Case-Sensitive Forms

[PROTOTYPE] OF « SIL(E)NCE » ­

off

Slashed Zero

0:100 ­

off

Fractions

1/4 1/2 3/4 ­

off

Ordinals

2a 2o No. ­

off

Stylistic Set 1

0123456789 ­

off

Stylistic Set 2

0123456789 ­

off

Stylistic Set 3

<>+−×÷=± ­

off

Stylistic Set 4

abcdef ­

off

Stylistic Set 5

SOFT GLITCH ­

off

Stylistic Set 6

ZERO LANE ­

off

Stylistic Set 7

REQUEST ­

off

Stylistic Set 8

Renderings ­

off

Stylistic Set 9

Static data ­

off

Stylistic Set 10

Rejected light index ­

off

Pair well with Image Future

  • Image Future Black

    User disconnected. Archive remains.

    Big Daily Short SemiLight

    Last known heartbeat was synthetic.

  • Image Future Light

    User disconnected. Archive remains.

    Magnify ExtraLight

    Last known heartbeat was synthetic.

  • Image Future Medium

    User disconnected. Archive remains.

    Cardinal Photo Italic

    Last known heartbeat was synthetic.

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