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Tesseract In Use

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Jean-Baptiste Levée

Release Date



Marion Sendral
Hugues Gentile
Ilya Ruderman
Yury Ostromentsky



About this font

Crisp and serrated, Tesseract is a study in modernity and restraint.
As Tesseract plunged into classical references, it earned its contemporaneity through whetted endings and constrained curves, lending a focused aspect to texts and titles.
With optical sizes for text and a display, Tesseract shimmers across media. The Display size plays the wide aperture and x-height card, with chiseled terminals and see-through counterspace. The Text size is quieter, with a firm and sturdy structure for immersive reading. The matching italics dance a vibrant staccato and complete the family.
The crucible for Tesseract is made of many, and contains paradoxes. Where round turns give affability and amplitude to the design, abrupt endings and spiky details grant some grave austerity to an otherwise delicate design. For adventurous users, Tesseract contains multiple dimensions. Dive in.


Static (OTF, TTF, WOFF, WOFF2)

About the designers

  • Jean-Baptiste Levée is a type designer with a strong focus on corporate and bespoke typefaces.

    Jean-Baptiste Levée

    CEO, founder

    Jean-Baptiste Levée (1981) has designed over a hundred typefaces for industry, moving pictures, fashion and media. He is the founder of the independent foundry Production Type.

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Useful type with an edge.

Useful type with an edge.

Production Type provide retail as well as dedicated creative services in typeface design for brands.

Based in Paris and Shanghai, Production Type is a digital type design agency. Its activities span from the exclusive online distribution of its retail type for design professionals, to the creation of custom typefaces for the industrial, luxury, and media sectors.
Enquire about custom fonts