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The story revolves around an anthropomorphic, tricky, clever fo named Mr Fox who lives underground beside a tree with his wife and four children. In order to feed his family, he makes nightly visits to farms owned by three wicked, cruel and dim‐witted farmers named Boggis, Bunce and Bean and snatches the livestock available on each man’s farm.
Suddenly, Mr Fox devises a plot to acquire food. He and his children tunnel through the ground and wind up burrowing to one of Boggis’ henhouses. Mr Fox kills several chickens and sends his eldest son to carry the food back home to Mrs Fox. On the way to their next destination, Mr Fox runs into his friend Badger and asks him to accompany him on his mission.
Mr. Willy Wonka, the owner of the world’s greatest chocolate factory, has decided to open the doors of his factory to five lucky children and their parents. In order to choose who will enter the factory, Mr. Wonka hides five golden tickets in the wrappers of his chocolate bars. The search for the five golden tickets is fast and furious.
Lemongrass ROSE WATER Nightshade
Willow Pear Red Epiphyllum
Candy Land Cranberry juice Elderflower
hot chocolate river NUT-JUDGING SQUIRRELS

Enfantine In Use

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Jean-Baptiste Levée

Release Date



Yohanna My Nguyen
Loïc Sander
Yoann Minet
Ben Kiel



Awards & distinctions

Typefacts Best of 2015

About this font

Normally, due to their handwritten origins, script typefaces are sloped. This makes an upright script something of an oddity. Yet there is something about Enfantine that makes it welcoming and familiar rather than off-putting and strange. Perhaps it’s the memory of learning how to write; some of Jean-Baptiste Levée’s references were cursive educational models from Holland and France. Or maybe it’s the relationship to youthful brands; like the Nathan imprint’s books for children for which Enfantine was originally designed; or Catimini, a classic kids’ clothing label and Albert Boton’s Pam-Pam typeface that inspired its logo.

Whatever association they conjure, these simple, monolinear shapes are undeniably appealing, with gentle loops and letter connections that work at several levels (top, middle, and bottom). In bringing this style to a digital font, however, Levée did not lean too heavily on quaint references or fancy tricks. His goal was a useful, modern typeface that can operate in a range of contexts. Typographic features (mastered by Ben Kiel) allow variety, even spacing, and smooth connections, but they don’t draw attention to themselves like a swashy script; they only serve the modest and easy flow of the design.

With its plain lines, unassuming disposition, and clean, roman sans serif uppercase, Enfantine is charmed by the past, but doesn’t live in it. The family has three weights, plus Baby, a bold style with soft ends.


Static (OTF, TTF, WOFF, WOFF2)

Language support

Acheron, Achinese, Acholi, Afar, Afrikaans, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Cashibo-Cacataibo, Catalan, Cebuano, Central Aymara, Central Kurdish, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern Arrernte, Eastern Oromo, Embu, English, Ese Ejja, Faroese, Fijian, Filipino, Finnish, French, Friulian, Ga’anda, Galician, Ganda, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba (DRC), Kölsch, Kongo, Konzo, Kuanyama, Kven Finnish, Ladin, Ladino, Latgalian, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Mandinka, Manx, Maore Comorian, Maori, Mapudungun, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mískito, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Orma, Oroqen, Palauan, Paluan, Pampanga, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pohnpeian, Polish, Portuguese, Potawatomi, Quechua, Romanian, Romansh, Rotokas, Rundi, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tedim Chin, Tetum, Tetun Dili, Tiv, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tosk Albanian, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wik-Mungkan, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yapese, Yindjibarndi, Yucateco, Záparo, Zulu

About the designers

  • Jean-Baptiste Levée is a type designer with a strong focus on corporate and bespoke typefaces.

    Jean-Baptiste Levée

    CEO, founder

    Jean-Baptiste Levée (1981) has designed over a hundred typefaces for industry, moving pictures, fashion and media. He is the founder of the independent foundry Production Type.



OpenType Features

Production Type ships OpenType fonts with built-in features such as ligatures, alternates, or pictograms. Here are some of the most important features. To view a comprehensive list of features, please refer to the PDF specimen.

Case-Sensitive Forms

[CASE-SENSITIVE] !¡?¿-–—()[]{}‹›«»· ­


Contextual Alternates

rooftop ­


Standard Ligatures

Muffins friends Cliffs Already Petals Calxes Calzone Rose Fox ­


Slashed Zero

0123456789 ­


Lining Figures

H0123456789 ­


Tabular Figures

H0123456789 ­



H01234 ­



1/4 1/2 3/4 ­



2a 2o NO No Nº N° nO no nº n° ­



+ − ± × ÷ = < > ­


Stylistic Set 1

juice ­


Stylistic Set 2

<>+−×÷=± ­


Pair well with Enfantine

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  • Enfantine Bold

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    Stratos Black

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  • Enfantine Regular

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    Boreal Bold

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Useful type with an edge.

Useful type with an edge.

Production Type provide retail as well as dedicated creative services in typeface design for brands.

Based in Paris and Shanghai, Production Type is a digital type design agency. Its activities span from the exclusive online distribution of its retail type for design professionals, to the creation of custom typefaces for the industrial, luxury, and media sectors.
Enquire about custom fonts